Thursday 27 September 2018

Teletubbies Archive


Between 1996 and 1998 I was employed by Ragdoll Productions UK as a Storyboard Artist on a new children’s television series called ‘Teletubbies.’
I was fresh out of Film School and relocated to Stratford–upon-Avon from London, where I was deposited in a porter cabin and then later my own green caravan at the back of the set within the lovely Warwickshire countryside.
I worked directly with the show’s co-creator and writer Andrew Davenport to visualize the scripts and establish a new visual grammar aimed purely at pre-school children.  Each frame is carefully designed to engage the attention of the very young.  When I think back it does seem strange that I worked with the writer instead of the show’s various directors, but Andy was driving the show and had a very clear vision of how the show should look, with input from co-creator Anne Wood.
Hard at work using a light box made by the art department, which used to emit the heat of a small sun.

Due to the fast paced nature of continuous shooting and the fact that we rarely had a buffer of scripts prior to the start of production, pre-production effectively ran side-by-side with production.  As such my drawing style became very simplistic and cartoony in nature as I tried to convey the energy of the performance as well as keeping in mind the strict positioning of objects and characters within the frame.



 
Post it note king; singles frames showing the simple cartoony style.

I developed a process whereby I would draw on post-it notes and stick them to the Live TV show formatted scripts; this was so that corrections could be made quickly on site after a brief meeting with Andy.
Here are some examples of Andy’s directions for me.





A copy of the first five pages of the shooting script for 'Little Lamb.'

When my employment came to an end with Ragdoll I had worked on ninety, thirty minute scripts and enjoyed every minute of what was a very unique period in my life which I always look back on with great affection.

The wall of reference.

Me on set complete with dodgy 90s hair style and a poor attempt at a goatee beard.